VI.BE

Notti del Terrore's origin lies with groovemetalband Tud Russel. KVN (vocals) and Wim (bass) were thinking of heading in a more brutal and heavy direction: more speed, more aggression but also more variation within their music. This was no longer an option in Tud Russel and during 2007 this band ceased to exist. KVN and Wim decided to look for a second guitarplayer and they found the right man in Guy (former Angeli di Pietra). Together they quickly started to compose their own songs, at first (as it should be) in a garage, later on in their own rehearsal-area, The Rhythm Cage. Very soon they had enough songs for a full length album. The only thing lacking was a drummer. This particular problem was quickly solved by KVN, who started to program the drumsequences. The band liked this so much, they decided to keep going as a threesome (with the aid of a drumcomputer). This is also the reason for the solid, industrial sound of the compositions, that are also lavishly filled with samples.

The debut demo was recorded in its entirety in KVN's homestudio: 'The Game Room'. All ten tracks were produced, mixed and mastered by the band themselves, but the sound and power are no less for it. Meanwhile, the band recorded and released the '3-TR-DIY' EP, featuring a better sound for the brutal compositions.

Enter the year 2011, and Notti del Terrore recorded 'MX D35TRX10N', their bludgeoning debut. Hard, fast and relentless are words that are often repeated when talking about this album. Once again, the album was recorded and mixed in KVN's studio, mastering was done at The Rhythm Cage.

During 2012, the band finally found a real drummer capable of delivering the same amount of punch, speed and tightness as required. Now armed with the breathing drummachine known as Fré, the songs get a more organic feel, yet don't lose any of their impact. Work on the new album starts as the compositions get fleshed out.

The new album 'Havoc' is once more produced in 'The Game Room' and mastered at The Rhythm Cage and delivers a new set of pummeling tracks by these four biomechanical horsemen of the Digipocalypse.

Release date: MAY 2013